3D Storytelling: How Stereoscopic 3D Works and How to Use It by Bruce Block, Philip McNally

By Bruce Block, Philip McNally

3D Storytelling is the final word consultant for administrators, cinematographers, manufacturers, and architects of stereoscopic 3D videos and video clips. With an emphasis at the aesthetic over the technical, this publication is an important origin for displaying you ways to take advantage of 3D creatively to inform a story.
Hollywood manufacturer Bruce Block and Dreamworks stereoscopic manager Philip Captain 3D McNally mixture their colossal real-world adventure and instructing talents that can assist you find out how to:

* imagine in 3D
* combine 3D layout into your script or story
*
Direct and layout the 3D intensity of your shots
* Use stereoscopic windows
* paintings with the intensity cues in 3D
* Create a comfy viewing event for the audience
* Plan enhancing and directorial issues for 3D
* comprehend closed, open, and risky 3D space

Brimming with sensible details that may be instantly utilized on your 3D construction, the ebook additionally positive aspects interviews with a few of the industry’s best stereographers, in addition to 3D diagrams and images that illustrate how 3D works, the way it will be managed in construction, and the way 3D can be utilized to inform a narrative.

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Additional resources for 3D Storytelling: How Stereoscopic 3D Works and How to Use It

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The lens focal length, the distance between the camera and subject, the screen size, and the audience’s distance from the screen can all contribute to the perceived volume. But the most important way to control volume is by adjusting the IA. IA creates volume. In this diagram, there are three pairs of cameras looking at a cube. Each pair of cameras (a black, green, and red pair) illustrates a different IA setting. These diagrams are exaggerated to illustrate how IA and volume are linked together.

Kuntz Put on your 3D glasses. This honeybee, photographed with a tiny IA, may appear gigantic. Regardless of the IA, it is already much larger than in real life so it automatically appears oversized. A big screen makes the bee even larger, but a small IA may add to the feeling that it’s gigantic. In general, gigantism is a subtle effect because audiences are culturally accustomed to oversized images on big screens in 2D and 3D. Close-ups of actors don’t make them look like giants. The opposite scale illusion occurs if the IA is too large.

The ball and head now have an exaggerated volume. They appear distorted or stretched in depth. This is called a shape or volume ratio greater than 1. In animation it’s called more than 100 percent or off-model volume. 52 An overly large IA can increase the volume of objects too much and they appear elongated. The amount of IA needed to create good-looking volume also depends on the focal length of the lens. 53 Put on your 3D glasses. All three pictures were taken with the same IA, but different focal length lenses.

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