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To create his images, he uses the largest aperture he can and moves in as close as possible, keeping the background well lit and the subject in low light to saturate colour. ‘I make sure that no part of the image is in focus,’ he says.  # acPaQ`WPS&"#$%$%%%& storemags & fantamag - magazines for all acPaQ`WPS&"#$%$%%%& =Qb]PS` 7 eeeO[ObSc`^V]b]U`O^VS`Q]cY "! 7Q]]\a]]T^^V]b]U`OO^Vg4Og5]ReW\ © COLLECTIONS, LONDON HIZIPSTQIRXLS[TSPPYXMSR[EW EJJIGXMRKVMZIVWERHJSVIWXWERHXLI [E]WMR[LMGLTYFPMGVMKLXWSJEGGIWW XSPERH[EWFIMRKHIRMIHF]PERHS[RIVW +SH[MR¸W[SVO[EWGLERKMRKMRSXLIV[E]W EWWLIPSSOIHJSVRI[GLEPPIRKIW%JXIV FIMRKE[EVHIHE*IPPS[WLMTSJXLI2EXMSREP 1YWIYQSJ4LSXSKVETL]MRWLI WTIRXE]IEV[SVOMRKSREWIVMIWSJGSPSYV MRHYWXVMEPPERHWGETIWWLSXMRERHEVSYRH &VEHJSVH;IWX=SVOWLMVI 8LMW[SVO[EWPEXIVJSPPS[IHF]EWIVMIW SJGSPSYVEFWXVEGXMQEKIWJSGYWMRKSR WLETIXI\XYVIERHJSVQMRWXMPPPMJIWIXYTW SJJSPMEKI+SH[MR[EWYREFPIXSÁRHE TYFPMWLIVJSVXLIPEXXIVTVSNIGXERHMX[EW IZIRXYEPP]TVMZEXIP]TYFPMWLIHYRHIVXLI XMXPI+PEWW[SVOW 7IGVIX0MZIW 
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ERHXLIEGGSQTER]MRKQENSV I\LMFMXMSREX0SRHSR¸W&EVFMGER+EPPIV]LIV LIEPXLHIGPMRIHJYVXLIV7LIHMIHMR +SH[MR¸WI\GITXMSREPFSH]SJ[SVO LIVSYXWTSOIRTIVWSREPMX]ERHLIV KIRYMRIGSRGIVRJSVXLIIRZMVSRQIRX QEHILIVEYRMUYIÁKYVIMR&VMXMWL TLSXSKVETL],IVYRTVIXIRXMSYWEXXMXYHI XSTLSXSKVETL]ERHLIVHIZSXMSRXSXLI PERHWGETIEVIGETXYVIHMRXLMWUYSXI JVSQSRISJLIVÁREPMRXIVZMI[W[MXL NSYVREPMWX(EZMH'SVÁIPHMR·- "" HSR¸XKIX[VETTIHYTMRXIGLRMUYI ERHXLIPMOI¸WLIWEMH·-LEZIEWMQTPIVYPI ERHXLEXMWXSWTIRHEWQYGLXMQIMRXLI PSGEXMSREWTSWWMFPI=SYGER¸XI\TIGXXS XEOIEHIÁRMXMZIMQEKIMRLEPJERLSYV-X XEOIWHE]WSJXIR]IEVW%RHMRJEGX-HSR¸X FIPMIZIXLIVIMWWYGLEXLMRKEWEHIÁRMXMZI TMGXYVISJWSQIXLMRK8LIPERHMWEPMZMRK FVIEXLMRKXLMRKERHPMKLXGLERKIWMXW GLEVEGXIVIZIV]WIGSRHSJIZIV]HE] 8LEX¸W[L]-PSZIMXWSQYGL¸ /> 1975 Her first book, The Oldest Road (co-authored with John Richard Lane Anderson) is published 1978 Receives a major award from the Arts Council of Great Britain 0==9A 1985 Biography Publishes Land, a collection of her work to date.

6, ISO 500 Len has been interested in photography for many years. He took these images after he stumbled across a family of foxes in woodland near his home. ‘I went back several times,’ he says. ‘I covered myself and my camera equipment with camouflage material and waited for the foxes to come out. ' G]c`^WQbc`SaW\^`W\b 1 Maple leaf 1 Den exposes for the subject and uses light coloured backgrounds to ‘add life’ to his images Olympus OM-2SP, 50mm macro, Fujichrome Velvia 100 Rosebay willowherb 2 Where possible, Den uses dappled light rather than direct sunlight to avoid overexposing the image Olympus OM-2SP, 50mm macro, Fujichrome Velvia 100 Bluebells 2 3 Den creates an impression of being at ‘insect-eye level’ by positioning his camera close to the bluebells Olympus OM-2SP, 50mm macro, Fujichrome Velvia 100 3 Den Reader Norfolk Den, 61, enjoys creating impressionistic images of leaves, flowers, landscapes and people, and is also interested in photographing industrial details and still life.

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