Angkor Wat: Time, Space, and Kingship by Eleanor Mannikka

By Eleanor Mannikka

For almost 1 / 4 of a century, Mannikka labored to solve the good judgment and symbolism that guided development of Angkor Wat, the famed 12th-century Hindu temple in Cambodia. Portico through galley by means of condominium, she hyperlinks the temple's dimensions to the heavens and to Southeast Asian heritage. The e-book, a pass among doctoral dissertation and love letter, has a constitution that displays the temple-as you learn the ebook, you figuratively stroll during the construction, aided by means of 209 illustrations (12 in colour) and by means of Mannikka's poetic tributes to the ruin's stones and corridors. the writer hopes her publication might help shape a basic paradigm to be used in reading different temples, yet lots of her concepts might practice to secular buildings whose origins were obscured via time. Mannikka's progress as a pupil is one other subtext, and her sincere review of what she needed to learn how to absolutely get pleasure from her topic is fresh ("In 1972," she writes, "my wisdom of astronomy was once constrained to the form of the massive Dipper"). Historians, architects and people attracted to jap religions will compose the most viewers for the publication, however it is additionally an item lesson in the best way to stick with a venture for the lengthy haul regardless of the pressures of a hit-and-run study academy.

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Extra resources for Angkor Wat: Time, Space, and Kingship

Sample text

THE INDR ÂBHI«EK A Even though the bas-relief of the Churning of the Sea of Milk has a seemingly endless line of identical devas pulling against the chorus of asuras, the delicate carving and detail of each piece of jewelry, each eyebrow and mustache, and the very rhythm of the repetitive figures create visually rich and opulent images (Fig. 17). From the fingertips of the gods and antigods to the tiny striations in the cloth of the sampots, the sculptors have lavished microscopic attention on this panoramic scene.

We also know that he presided over yearly ritual sacrifices 25 during the reign of King Sûryavarman II and that at one point he persuaded the king to reinstate lost territories to a group of priests. We do not really know what role Divâkara played in the building of the temple; nor do we know who succeeded him at his death. We can surmise, however, that he was closely associated with the building of Angkor Wat because of his elevated rank: no priest would have held a higher position. Whoever may have been the creative force behind the monument of Angkor Wat, the temple exemplifies the shared expertise of its builders and the mastery they achieved through centuries of architectural tradition.

When all of this information began to be assimilated, I started to wonder where it would lead me. I did not suspect that it would take 20 years of research to answer that question fully. The difficulty at first was to determine what the architects considered to be significant in terms of measurement. Given the design of Angkor Wat, it was obvious that the axes and circumferences were primary, repetitive elements in the temple’s basic format. But how were they measured? Once again, it was several years before the following parameters emerged as the system for rules of measurement: 19 Fig.

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