By Chris Meyer
Книга growing movement pix with After results: crucial and Advanced... growing movement pictures with After results: crucial and complex options, 4th EditionКниги English литература Автор: Chris & Trish Meyer Год издания: 2007 Формат: pdf Издат.:Focal Press; 4th version Страниц: 704 Размер: 22,1 ISBN: 978-0240810102 Язык: Английский0 (голосов: zero) Оценка:From my earliest days utilizing After results, I owe a lot of what i do know to Trish and Chris Meyers periods and books. Alex Lindsay, ex-ILM/JAK movies, leader Architect, Pixel Corp. movement pictures and relocating photographs are necessary to speaking in a memorable manner. Trish and Chris Meyer are masters in their craft and are uniquely certified to lead a person studying Adobe After results. --Michael Coleman, Product supervisor, Adobe After results
Read or Download Creating Motion Graphics with After Effects: Essential and Advanced.. PDF
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Extra resources for Creating Motion Graphics with After Effects: Essential and Advanced..
You can also disable OpenGL on a project-wide basis in this dialog. The Accelerate Effects Using option determines whether OpenGL is used to render some effects; the fallback when scrubbing effects parameters while Fast Previews is enabled is Adaptive Resolution mode. Wireframe: In this seldom-used mode, After Effects skips rendering the pixels for each layer, instead rendering the layers as wireframe outlines. 06a] to get a feel for it. If you perform a RAM Preview with this mode engaged, the wireframes are replaced with dotted outlines showing each layer’s alpha.
Footage courtesy Lee Stranahan. 16 Adjust Exposure Comp Flowchart Bring Timeline Forward Creating a Composition// 2 Close (this tab only) Comp tab Time Display Frame Rate Live Hide Enable Shy Open Update Enable Motion Blur Parent Draft Layers Frame Graph Comp 3D Blending Brainstorm Editor Expand or Collapse the In/Out/Duration/Stretch panes Expand or Collapse the Transfer Controls pane Expand or Collapse the Layer Switches pane The Timeline Panel The Timeline panel is your “sequencer,” where you control the time at which the sources begin and end, and how they animate over time.
When multiple layers are referencing the same solid source, you have the option to change all instances or create a new solid. It defaults to its last state. Change one of this solid’s settings, rename it “My Solid 2”, and click OK. My Solid 2 is also created in the Solids folder; the other two layers continue to use old settings. In the Solid Footage Settings dialog, you can set the Units popup to create solids based on pixels or a percentage of the comp size. Solids also have their own pixel aspect ratio (PAR is covered in Chapter 39).